Toxic Dispatches From Weimar
Ben BrantleyOctober 5, 2011: I mean as cold as a body on a mortuary table. The first real chill of autumn hit New York with the arrival of Robert Wilson’s frost-bitten interpretation of Bertolt Brecht and Kurt Weill’s “Threepenny Opera,” which opened on Tuesday night at the Howard Gilman Opera House of the Brooklyn Academy of Music.
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