The Silver Tassie OFF-BROADWAY REVIEWS

  • NY TIMES

  • Opening Night:
    July 25, 2011
    Closing:
    July 31, 2011

    Theater: Gerald W. Lynch / 899 Tenth Avenue, New York, NY, 10019

    Synopsis: 

    Two teenaged footballing heroes are plucked from the tenements of Dublin and lobbed into the Great War battlefields of France in this sweeping Seán O'Casey play, brought to rare life in a dazzling production by one of Ireland's most scintillatingly daring theater companies, Galway's Druid Theatre Company.

    The Irish have their own way of telling stories, and Garry Hynes, the Druid's founder and artistic director, captures that national poetry unlike any other director. In 1998 she became the first woman to win a Tony Award for directing, for The Beauty Queen of Leenane. She draws sensitive, realistic performances from her actors in this production of one of the most moving works of the Irish canon.

    Set against a backdrop of the Home Rule crisis and the founding of the Irish Free State, The Silver Tassie is a pitiless rendering of youth frayed by war, by turns faithful to the stark realism of traditional Irish theater, by turns an exploration of the expressionistic possibilities of the stage. Playwright Seán O'Casey is exquisitely compassionate in his conception, but he allows no tenderness to his characters, whose suffering reflects the full inhumanity of war.

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  • NEW YORK TIMES REVIEW OF The Silver Tassie

    War Changes a Man, and a Play

    Charles Isherwood

    July 27, 2011: The journey from invincible optimism to embittered defeat is a short one for Harry Heegan, the young soldier at the center of Sean O’Casey’s 1928 play “The Silver Tassie.” The echoes of Harry’s joyous cries at a soccer victory in the play’s opening scene still seem to be resounding in the air when he raises his voice at its mournful end, strumming a banjo and hymning the death of his young spirit as his friends and family look on in awkward sympathy.

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