Filling the Existential Void
Ben BrantleyNovember 24, 2013: My, how they do go on, these two. In the absurdly enjoyable revivals of Harold Pinter’s No Man’s Land and Samuel Beckett’s Waiting for Godot, which opened in repertory on Sunday at the Cort Theater, Ian McKellen and Patrick Stewart make a most persuasive case for conversation as both the liveliest and loneliest of arts.
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