Theater:
Synopsis:
Hang on to your comb-over because the theatrical Trump storm is now approaching gale force.
Hartford Stage’s recent revival of George Bernard Shaw’s Heartbreak House dressed that play’s pathetic bully character in a bright yellow wig. Robert Schenkkan’s Building the Wall imagined President Trump’s presiding over a near-term dystopia of immigrant concentration camps. Opening soon is a shrewdly timed adaptation of George Orwell’s 1984 Michael Moore arrives later this summer blowing Broadway size-spitballs at the White House.
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Theater: Baruch Performing Arts Center / 55 Lexington Avenue, New York, NY, 10010
Julius Caesar is a classic story of pride and envy, arrogance and honor, opportunity and tragic strategic errors. Written in one of his most productive times of Shakespeare's life, Julius Caesar blends the historic events of the reign of this iconic roman emperor with tragic elements and compelling language creating of Shakespeare's greatest tragedies.
April 17, 2012: Years before “Everybody Loves Raymond” propelled Brad Garrett to stardom, he was a stand-up comedian opening for Frank Sinatra in Las Vegas. He capped his warm-up act on one particularly unresponsive night by deadpanning: “You’re a great audience. Stick around for Frank.”
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