Waltzing With Love and Death in ‘Hundred Days’
Ben BrantleyDecember 4, 2017:
“Hundred Days,” the luminous musical memoir by the Bengsons and Sarah Gancher, is an everyday horror story with a very provisional happy ending — like so many chapters of human existence. This poignant 90-minute show, which opened on Monday night at the New York Theater Workshop, is a response to one ineradicable and devastating fact of life.
To wit: Whether by choice, chance or — ultimately and unavoidably — death, you will be separated from the person you love most.
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