Cradle and All OFF-BROADWAY REVIEWS

  • NY TIMES

  • EW

  • BACKSTAGE

  • DAILY NEWS

  • NORTH JERSEY

Opening Night:
May 25, 2011
Closing:
June 19, 2011

Theater: New York City Center / 130 West 55th Street, New York, NY, 10019

Synopsis: 

Annie and Nate have a baby who won't sleep. Claire and Luke are losing sleep over the decision to get married and start a family. In adjacent Brooklyn Heights apartments, Daniel Goldfarb's newest and wittiest look at love, sex, commitment and parenthood unfolds and no one will rest until the truth between each of these couples is spoken.

The two-person cast features Tony nominee Maria Dizzia and Greg Keller.

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  • NEW YORK TIMES REVIEW OF Cradle and All

    A Clock Ticking to Incessant Wailing

    Charles Isherwood

    May 25, 2011: Parenthood is considered from both the hypothetical and actual perspectives in “Cradle and All,” a slight but mostly...

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  • ENTERTAINMENT WEEKLY REVIEW OF Cradle and All

    Cradle and All

    Aubry D'Arminio

    May 25, 2011: Playwright Daniel Goldfarb has a nearly impossible request. He wants you to feel bad for yuppie Brooklynites with kids.

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  • BACKSTAGE REVIEW OF Cradle and All

    Cradle and All

    David A. Rosenberg

    May 25, 2011: If Shakespeare were reviewing "Cradle and All," he might crib from himself and write, "'Tis not so deep as a well, nor so wide as a church door, but 'tis enough, 'twill serve." Daniel Goldfarb's new comedy, having its world premiere at Manhattan Theatre Club, is...

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  • NEW YORK DAILY NEWS REVIEW OF Cradle and All

    'Cradle and All'

    Joe Dziemianowicz

    May 26, 2011: Babies — you can't live with them and you can't live without them. There, in a nutshell, is Daniel Goldfarb's likable new comedy "Cradle and All," which follows two Brooklyn Heights couples facing parenting issues.

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  • NORTHJERSEY.COM REVIEW OF Cradle and All

    Cradle and All

    Robert Feldberg

    May 26, 2011: With "Cradle and All," playwright Daniel Goldfarb attempts something daring. He's trying to make fresh two of the most common experiences couples can have: deciding whether to have a child, and raising one. His play, which opened Wednesday night at the Manhattan Theatre Club, is actually two related one-acters, bravely presented unadorned, without theatrical bells and whistles.

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