Bridesburg OFF-BROADWAY REVIEWS

NY TIMES
TM
NY POST
CURTAIN UP
BACKSTAGE

Opening Night:: January 9, 2012
Closing:: January 28, 2012

Theater: Gene Frankel Theatre / 24 Bond St., New York, NY, 10012

Synopsis:

Bridesburg is a darkly comic and intense look at five working-class Americans struggling to maintain their sanity while battling the hostilities of today's economic environment. Philadelphians Matt and Kay are young parents-to-be living in the basement of Matt's mother's house. The impending adult responsibility coupled with the familial stresses of tight living quarters prompts their battle against family, the job market and each other.

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NEW YORK TIMES REVIEW OF Bridesburg

Think Life Couldn’t Get Worse? Drop in on This Dismal Family
CATHERINE RAMPELL

January 23, 2012: Some people go to the theater to escape the struggles of everyday life. If you’re one of those people, don’t see “Bridesburg.”
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THEATERMANIA REVIEW OF Bridesburg

Bridesburg
David Finkle

January 10, 2012: Victor Kaufold's 70-minute play Bridesburg, now at the Gene Frankel Theater deals with love-hate relationships among a dysfunctional family -- a familiar subject for audiences -- but does so as well as any regular theatergoer might desire.
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NY POST REVIEW OF Bridesburg

Family drama no kin do
Frank Scheck

January 12, 2012: Bridesburg is a run-down neighborhood in south Philadelphia. If Victor Kaufold’s drama set there is any indication, you won’t want to go there . . . or to “Bridesburg,” for that matter.
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CURTAIN UP REVIEW OF Bridesburg

Bridesburg
Paulanne Simmons

January 7, 2012: Most people outside Philadelphia have probably never heard of the district of Bridesburg, a riverfront section of the city with a significant Polish population. So it’s hard to understand why playwright Victor Kaufold chose Bridesburg as the title of his new play about the plight of a poor working-class family living in that section of Philly.
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BACKSTAGE REVIEW OF Bridesburg

Bridesburg
Suzy Evans

January 9, 2012: Parent-child conflicts make for great drama. Everyone has parents, and it's not too much of a stretch to say that everyone has had some conflict with those authority figures. While Victor Kaufold's play is believable, it's not compelling. The piece has no inciting incident, and the show simmers, attempting to boil but never quite climaxing.
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