Who Knew That Greek Festival Had Such Legs?
Charles IsherwoodNovember 26, 2013: Terrence McNally plants a big kiss on his lifelong love — the theater — in his latest play, “And Away We Go,” a time-traveling romp set backstage during epochal moments in the history of drama over a couple of millenniums. As smooches go, this one is wet — which is to say lavishly affectionate — and sloppy, meaning overstuffed and halfway to haywire. Nevertheless, fellow adorers of theater will find much to divert them in Mr. McNally’s frolicsome valentine to the glorious, maddening, demanding (insert your own clichéd adjective here) world of footlights, spotlights and ghost lights.
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