One Mad Power Grab, Many Dramatic Roles
Charles IsherwoodApril 21, 2013: In others ways, however, the production, from the National Theater of Scotland, lays on the macabre trappings thickly. The cello-heavy music by Max Richter adds ominous underscoring. Three video monitors hanging above the stage flash black-and-white videos (drawn from security cameras swiveling about like snakes) to magnify Mr. Cumming’s face as his features transform themselves, signifying a transition between two characters. Banquo’s ghost causes a jolt of terror by stalking onstage wearing a full-face leather mask, his corporeality all the more striking since we seem to be in the realm of one man’s “horrible imaginings.”
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