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BROADWAY REVIEWS

 

39 Steps, The

August: Osage County
Avenue Q

Boeing-Boeing

Catered Affair, A
Chicago
Chorus Line, A

Cirque Dreams

Grease
Gypsy
Hairspray
In the Heights
Jersey Boys
Legally Blonde

Les Liaisons Dangereuses
Lion King, The
Little Mermaid, The

Mamma Mia!
Mary Poppins
Monty Python's Spamalot
Phantom of the Opera, The
Rent
South Pacific
Spring Awakening

[title of show]

Thurgood

Wicked
Xanadu
Young Frankenstein

 

 

OFF-BROADWAY REVIEWS

 

Altar Boyz

Arias With a Twist

Bash'd

Blue Man Group

Castle, The

Damn Yankees

Eh Joe

First Love

Fuerzabruta

I'll Go On

Jackie Mason

Jump

Kicking a Dead Horse

Marriage of Bette and Boo

Perfect Crime

Prisoner of the Crown

Stomp

 

 

 

COMING UP:


Aug 2 - for colored girls who have considered suicide when the rainbow is enuf

Sept 18 - A Tale Of Two Cities

Sept 25 - Equus

Oct 16 - Billy Elliot

Nov 8 - Dividing the Estate

Dec 11 - Pal Joey

Dec 14 - Shrek: The Musical


 

REVIEW ARCHIVE

 

Broadway

Cat on a Hot Tin Roof

Country Girl, The

Cry-Baby

Curtains

Glory Days

Macbeth

November

Sunday in the Park...

Top Girls

 

Off-Broadway

A Perfect Couple

Adding Machine

Edward Albee's Occupant

From Up Here

Good Boys and True

Hamlet

Len, Asleep in Vinyl

Macbeth

New Century, The

Occupant

Passing Strange

Port Authority

Rafta, Rafta

Reasons to be Pretty

Saved

Sound and the Fury

Vincent River


TOP GIRLS REVIEWS

Show
NY Times
Newsday
USA Today
Variety
Daily News
Top Girls Reviews Broadway Review Broadway Review Broadway Review Broadway Review Broadway Review

 

Synopsis: Marlene celebrates her promotion to managing director of the Top Girls Employment Agency by throwing a “Mad Hatter” type dinner party for a fanciful array of mythical and historical women, including a Victorian-era Scottish traveler, a Japanese courtesan turned Buddhist nun, Pope Joan and Chaucer’s Patient Griselda. Crossing cultures, generations and politics, the sparkling dinner conversation reveals the sacrifices made as well as the joys experienced by these extraordinary women.

 

Reviews

 

NEW YORK TIMES REVIEW:

 

"It seems safe to say that no New York restaurant, not even Michael’s or the Four Seasons, has seen a power meal to match the one that so exhilaratingly begins Caryl Churchill’s Top Girls which opened last night in a well-acted revival at the Biltmore Theater."

 

Click here to read the full Top Girls review.

 

 

VARIETY REVIEW:

 

"It's a mark of the spiky brilliance of Top Girls that regardless of having previously seen or read the 1982 play, deciphering its cryptographic mosaic of narrative, themes, structure and style is still a bracing challenge. Much has changed in the quarter-century since Caryl Churchill took stock of the legacy of feminism in this blistering examination of what women had fought for and attained, and the price they paid to succeed in a male-dominated world. But while the play remains inextricably keyed into the zeitgeist of Thatcher's Britain, its originality is undiminished in MTC's incisively acted Broadway production."

 

Click here to read the full Top Girls review.

 

 

NEW YORK DAILY NEWS REVIEW:

 

"Though the play is overly talky and circuitous, incisive performances by seven actresses in the Manhattan Theatre Club production make it a fine final entry to the 2007-08 Broadway season."

 

Click here to read the full Top Girls review.

 

 

THE NEW YORK POST REVIEW:

 

"Have times changed, or have I? When I first encountered Caryl Churchill's Top Girls in 1982, I was fascinated by its relentless take on feminism - specifically, the glass ceiling and how to break it. Now, as the Manhattan Theater Club brought it back last night - with a top-flight cast featuring Marisa Tomei and Martha Plimpton - I was engrossed by Churchill's technical command of the theater and her willingness to take risks."

 

Click here to read the full Top Girls review.

 

 

THEATERMANIA REVIEW:

 

"The crucial top girl in theater activist Caryl Churchill's complex Top Girls, being revived by Manhattan Theatre Club at the Biltmore, never appears on stage. She's former British Prime Minister Margaret Thatcher, who was setting the country's political tone during the early 1980's when the play was written in what appears to be a quiet rage. Unfortunately, one of the besetting problems of the play -- which 26 years later has lost more than some of its topical impact -- is that only late in the third act does it become clear what Churchill has been driving at. She is taking a bluntly critical look at Thatcher's dehumanizing social programs and their far-reaching divisive effects, especially on the country's women."

 

Click here to read the full Top Girls review.



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SHOW INFORMATION:

Perf Schedule:

Tue-Sat at 8pm

Wed, Sat, & Sun at 2pm

 

Tickets:
$46.50 - $91.50
Call: 212-239-6200
Click here to buy now.

Show Run Time:
2 hours & 25 minutes with 1 intermission

 

Theatre Information:
Biltmore Theatre
261 West 47th Street
New York, NY 10036

 

BroadwaySpace.com
 
 

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