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THE LAST SAINT ON SUGAR HILL NEW YORK TIMES REVIEW
Opening Night: October 24, 2013
Did He Like It?*
Harlem - a mecca for black culture is now home to fancy eateries and a myriad of new residents. Napolean Pettigrew and his sons are die-hard Harlemites and feared property owners who hope to make a profit from this NEW Harlem. However, when they discover one of their properties is a real money-maker, everything they hold sacred—family, loyalty & community—falls apart. Sitting on a gold mine, the Pettigrew men are faced with the biggest decision in their lives—save or destroy the last untouched neighborhood in Harlem.
In the Maelstrom of Harlem’s Gentrification, and Nothing Is Sacred
*By ANITA GATES
Published: November 17, 2013
"We should not like Napoleon, a vicious Harlem landlord. He is rude. “More liquor, less ice,” Napoleon (Danny Johnson) snaps at the less gifted of his two sons in the first scene of Keith Josef Adkins’s thoughtful drama “The Last Saint on Sugar Hill,” being given its New York premiere by the National Black Theater."
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