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BROADWAY REVIEWS
Grease Wicked
OFF-BROADWAY REVIEWS
COMING UP:
Sept 18 - A Tale Of Two Cities Sept 25 - Equus Oct 1 - The Seagull Oct 16 - All My Sons Nov 13 - Billy Elliot Nov 20 - Dividing the Estate Dec 11 - Pal Joey Dec 14 - Shrek: The Musical
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CURTAINS REVIEWS
Synopsis: It's the golden age of musicals and a new show is in Boston for some pre-Broadway polish. But this tuner has more problems than most. The leading lady is dead, and everyone in the company is a suspect. Can Frank Cioffi, homicide detective (and musical theatre fan), solve the murder – and save the show?
Reviews
NEW YORK TIMES REVIEW:
"David Hyde Pierce steps into full-fledged Broadway stardom with his performance here. Curtains lies on the stage like a promisingly gaudy string of firecrackers, waiting in vain for that vital, necessary spark to set it off."
Click here to read the full Curtains review.
USA TODAY REVIEW:
"In Curtains the new musical that opened Thursday at Broadway's Al Hirschfeld Theatre, the jokes may be cheap, but some of them come at the expense of theater critics."
Click here to read the full Curtains review.
VARIETY REVIEW:
"Hyde Pierce, with his polished comic timing and more than serviceable singing skills, is the (show's) most invaluable asset. His detective is a memorable comic creation who rescues this show from being just another self-satirizing musical spoof."
Click here to read the full Curtains review.
NEW YORK DAILY NEWS REVIEW:
"Brings a gust of giddy good fun to Broadway. The score is lighter than Chicago and Cabaret, but the legendary team has penned a show's worth of good tunes. The dancing is athletic and intricate and will knock your socks off."
Full review not available.
THE NEW YORK POST REVIEW:
"Any show that gleefully trashes critics in what's virtually its opening number can't be all that bad. But Curtains - that title is another way to tempt fate - tries very hard to be not good."
Click here to read the full Curtains review.
THEATERMANIA REVIEW:
"So, as they've been raising Curtains for Broadway consumption, the show's creators -- minus the late Ebb and Stone, but including director Scott Ellis and choreographer Rob Ashford -- have ladled on the razzle and the dazzle until they've fashioned a product that defies exiting consumers to say they haven't been entertained. Only a curmudgeon -- perhaps someone like this reviewer -- could walk away muttering about the substitution of craft for inspired musical comedy art."
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