Cabaret BROADWAY REVIEWS

Photo: Joan Marcus
  • cabaret
  • NY TIMES

  • TIME OUT

  • NBC

  • VARIETY

  • AP

Opening Night:
April 24, 2014
Closing:
January 4, 2015

Theater: Studio 54 / 254 West 54th Street, New York, NY, 10019

Synopsis: 

Based on a book by Christopher Isherwood, Cabaret tells the story of a seedy nightclub in 1930’s Berlin where a young English performer strikes up a relationship with an American writer, all while a zealous Master of Ceremonies commands the action at the Kit Kat Klub.

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  • NEW YORK TIMES REVIEW OF Cabaret

    Old Chums Return, Where Club Is Home
    ‘Cabaret’ Opens, With Alan Cumming and Michelle Williams

    Ben Brantley

    April 24, 2014: Hot diggity dachshund, it’s old home week on the campus at Weimar Berlin, otherwise known as the Kit Kat Klub. And if we take off our glasses and squint, we can pretend that life is just as divinely, dangerously decadent as it was when we were all 16 years younger. Why, here’s that adorably creepy M.C., a little softer around the jaw, maybe (aren’t we all?), but still such a cutup. Look at him pretending to have sex with the school slut. (Or one of them; there were so many.) And isn’t that Sally Bowles over there in the pink boa? Looking good, Sal; love the platinum bob. But why so uptight? Don’t forget what you always said: “Life is ... .” Uh, what was it you said again? A little more than 16 years after it first opened, and only a decade after it closed, it feels as if the popular Roundabout Theater Company production of Cabaret never left Studio 54, where it reopened on Thursday night.

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  • TIME OUT NEW YORK REVIEW OF Cabaret

    Cabaret: Theater review by Adam Feldman

    Adam Feldman

    April 24, 2014: Cabaret is on Broadway again: Willkommen home, you magnificent beast. Originally staged in 1966, then brought to a sordid cinematic life in Bob Fosse’s (heavily adapted) 1972 film, the Kander and Ebb classic was revived and reconfigured anew in Roundabout Theatre Company’s triumphant 1998 account. Now that version has returned with its original star: the supreme Alan Cumming as the Emcee of the Kit Kat Klub, a decadent nightclub in Berlin’s Weimar period. Why so soon? A better question might be: Why not? This Cabaret is a superb production of one of the great Broadway musicals of all time—an exhilarating, harrowing masterpiece.

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  • NBC NEW YORK REVIEW OF Cabaret

    Review: A Welcome Return for “Cabaret”

    Dave Quinn

    April 24, 2014: Theatergoers walking into Studio 54 for the now-opened revival of Cabaret might be struck with a case of déjà vu. That’s because the Roundabout Theatre Company has produced an exact restaging of Sam Mendes and Rob Marshall’s 1998 Tony-winning production. From the Playbill cover design to the fringe on the lamps of the tables of the Kit Kat Klub, you’ll feel as if you’ve stepped into a time machine. That’s not necessarily a bad thing. There’s a reason the ‘98 revival was such a big hit, after all. Mendes and Marshall had reimagined John Kander and Fred Ebb’s classic musical, stripping away any glitz and glamor leftover from the 1972 film. Together with book writer Joe Masteroff, they gave us a dark, gritty take on Cabaret that amped up the asexual undertones in John Van Druten’s original play and Christopher Isherwood’s stories, forcing us to see the material in a whole new light.

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  • VARIETY REVIEW OF Cabaret

    Broadway Review: ‘Cabaret’ Starring Michelle Williams and Alan Cumming

    Marilyn Stasio

    April 24, 2014: Alan Cumming must have sold his soul to the devil to acquire his divinely debauched persona as the Emcee of the Kit Kat Klub in Cabaret. It seemed nuts, but proved shrewd of Sam Mendes and Rob Marshall to retool their dazzling 1998 revival of the Kander and Ebb masterpiece, fit Cumming with a new trenchcoat for his triumphant return, and bring the decadent netherworld of 1920s Berlin back to Studio 54, the revival’s ideal venue. Inspiration flagged, however, in casting Michelle Williams, so soft and vulnerable in My Week With Marilyn, as wild and reckless party girl Sally Bowles. Smoking is verboten at Studio 54. The wait staff is not as scantily clad as the louche boys and girls at the Kit Kat Klub. The patrons aren’t even doing lines on the tables. But other aspects of this infamous club’s setting — the glitzy design of the house, the cabaret seating and drinks service, and the superb audio system for the fantastic onstage band — contribute to the show’s illusion that going out clubbing can still mean living dangerously.

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  • ASSOCIATED PRESS REVIEW OF Cabaret

    Entertainment Review: Revival of 'Cabaret' Revival Still Shocks

    Mark Kennedy

    April 24, 2014: Barely sneaking in under the Tony Award nomination deadline this season is a dear old friend to Broadway, the decadent Cabaret. The only appropriate salutation is: willkommen. Not a revival so much as a revival of a revival, this Cabaret — again produced by the Roundabout Theatre Company — opened Thursday night, with only hours to spare before its eligibility expired. Whatever it's called, it's as thrilling as ever, a marvel of staging that hasn't lost its punch. If it looks a lot like the version that ran from 1998-2004, that's understandable: Alan Cumming is back in his Tony Award-winning role as Emcee and director Sam Mendes and co-director and choreographer Rob Marshall are again pulling the strings on this show about life in pre-World War II Berlin. Orchestrations and costumes — what little there are — also are the same.

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