AUGUST: OSAGE COUNTY BROADWAY REVIEWS

Show	NY TIMES	NEWSDAY	USA TODAY	VARIETY	DAILY NEWS

Synopsis: When the patriarch vanishes, all of the Westons must return to the family home in rural Oklahoma to care for their afflicted (and mistress-of-manipulation) mother. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.

Broadway Reviews

NEW YORK TIMES REVIEW:

"August is probably the most exciting new American play Broadway has seen in years. Oh, forget probably: It is, flat-out, no asterisks and without qualifications, the most exciting new American play Broadway has seen in years."

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NEWSDAY REVIEW:

"Tracy Letts' ripping, riveting new play, August: Osage County, the new Broadway season's first must-see offering and arguably the best new American play since Albee's The Goat."

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VARIETY REVIEW:

"Ferociously entertaining August: Osage County, the American dysfunctional family drama comes roaring into the 21st century with eyes blazing, nostrils flaring and fangs bared, laced with corrosive humor so darkly delicious and ghastly that you're squirming in your seat even as you're doubled over laughing."

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NEW YORK DAILY NEWS REVIEW:

"Letts' perspective is bracingly fresh. He lets fly so many original and diabolically funny ideas about fear, yearning and relationships that he reinvigorates the family drama and brings it up to date. While he's at it, you're laughing hysterically one minute and appalled the next as the 3 1/2 -hour play flies by."

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NEW YORKER REVIEW:

"In much of his work, the forty-two-year-old Oklahoman playwright Tracy Letts beautifully captures the puritan streak in the American grain. Like the filmmaker Sam Peckinpah and the Southern novelist and short-story writer Flannery O'Connor, Letts is an artist who creates drama by pitting violence against our banal sense of decency."

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THEATERMANIA REVIEW:

"Clocking in at three hours and twenty minutes, Tracy Letts' superb new play, August: Osage County, is not exactly a light evening in the theater. It is, however, richly rewarding. Steppenwolf Theatre Company has assembled an excellent ensemble cast -- nearly all of whom originated their roles in the work's acclaimed Chicago run -- under the sharp and incisive direction of Anna D. Shapiro."

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TIME REVIEW:

"The #1 Play of the Year! This original and corrosive black comedy deserves a seat at the dinner table with the great American family plays."

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